Puckered the Borogovia cuddly "Written in water

Written in the water Rodolfo Martinez's blog

29 Sep/08 556 / 9

Puckered the Borogovia cuddly

Saturday Boredom sometimes has these consequences. In the video store have plundered all the movies you want to watch (yes, some still go to the video store on the corner from time to time) and end up renting something you are not sure, something I suspect you're going to like and something that you're convinced you look like a Truño. But is it or see what's on TV. So you risk.

The result is that you go see a movie called Mimzy that, in principle, it seems one of those things with and for children, full of colorful moments silly fantasy that surely not going anywhere.

And to your surprise, it did not. That is a science fiction movie pretty decent. Okay, will not go down the history of cinema, sure, but is a well-made film, generally well-run, with a decent and well-constructed script and whose claims do not go much beyond an interesting story to tell and entertain during hour and a average.

And she succeeds. No need to put "black pudding" to win public and popping all the while being consistent with what we're telling.

As I say, maybe nothing to write home about, but it is a rather pleasant surprise. So when I was younger called "a series B rigged" and that, apparently, was really only a few years ago.

He left me wanting to read the original story on which it is based: "All mimsy were the Borogoves" by Lewis Padgett (the pseudonym group formed by the marriage of writers Henry Kuttner and CL Moore), whose title refers to one of the most famous poems of Lewis Carroll. What I read at the time of Kuttner and Moore (either alone or together) always struck me as interesting, and sure this story is too. Which, as we are, makes me wonder what the chances are of seeing one day in Castilian published the bulk of the work of these two interesting writers of the forties and fifties. Few, I suppose, considering that mostly wrote stories.

A pleasant surprise, as I said. Of those that occur occasionally.

POSTSCRIPT: As for the other two films on Saturday ...

One was Lions for Lambs, the last major remaining Hollywood Rojer (with permission of Tim Robbins and his wife) now that Paul Newman has died. As expected, I liked it, and once again made me marvel at the contradictions of American culture. Especially the strange coexistence of the critical and patriotic, especially the Spanish, we do not fit entirely finished.

The other was a thing called Gabriel. The worst of the night. An interesting premise (seven angels seven demons competing to see who controls the Purgatory) solved with not too much vigor, aesthetics stolen directly from The Crow (including any other plane, not to mention some decorated) and quickly degenerates into something without fish nor fowl, with claims to be super transcendent and becomes predictable after a few minutes of footage.

© 2008, Rodolfo Martinez
The books are among my advisors, the ones I like, because neither hope nor fear prevent them from telling me what to do.
Alfonso V of Aragon

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  1. In my case, the film (and surprise) on Saturday was in the theater: Vicky Cristina Barcelona. A comedy from Woody Allen to sell and promote like a Woody Allen drama, with superb performances. That yes, in VO, it appears that YES dubbing makes a play (poorly kept) because the road is left in the best of the film: the Conas language.

  2. I confess that I have lost track of Allen for years (perhaps from Bullets Over Broadway, or thereabouts) and it's strange because when I see an opening I think I fancy him, but then for some reason you never see them.

  3. Furthermore, the Woody Allen comedies and dramas of Woody Allen, as I recall, not usually have many differences among themselves.

    Well, except the insufferable "Interiors", where Allen was thought that Bergman suddenly came out and what came out, of course.

  4. Female, yes there is a difference: Manhattan is not that it is precisely despichorrante ...

  5. Any yes there is, but more a small difference in tone (except when talking about his early movies) than anything else.

  6. Well, I despichorro me to Manhattan. And in general, all Allen cone, except with this European adventure of recent years which I think makes for flac or her filmography. Allen noes funny when you take yourself seriously. And PIENDA because maybe that is what it is. But is that Tampa is too serious. Not deep. Neither ... It is rather dramatic gray. And blurred. They could have led pelsi any half-decent director (including Allen himself, as I imagine he would say). "Vicky, Xtina, BCN" has proved a pleasant surprise. I had fun and I liked the first time a role for Penelope Cruz (who qu elo estriste only thing I like about her is hysterical sufaceta). Maybe I expected little from the movie, or maybe you caught me at a good time. But I liked it. And pretty. But Barcelo is far from Manhattam ... I liked it better when Allen's answer to "what is love" was in black and white.

  7. Sometimes those days are strange things in the television itself, it as is. Well and in the afternoon sessions the local teles that sometimes creeps in any fantasy genre.

    I remember, a few years ago, I saw a film of those sessions later that it was a plagiarism of the story "Impostor" Dick, but in the context of the Cold War.

    And then there are the local tele. Ah, I remember when they started and put things like the curious (and very poor) MOONTRAP, you have to see Rudy.

  8. I think I've seen. If we talk about a movie from the late eighties, I think, whose protagonist was Chekov on Star Trek.


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